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LES BELLES SOEURS offers a beautiful story http://t.co/pZTGzn3b @utahtheatreblog #utah #quebec Wednesday February 22, 2012
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A BellaLuna Original Play
FRESCO – Vancouver’s Italian Canadians in World War II
BellaLuna’s Fresco – A new play by Lucia Frangione
conceived and developed with the BellaLuna Ensemble:
Susan Bertoia, Aaron Freschi, Stefano Giulianetti and Marco Soriano
March 21-24, 2012
-James Cowan Theatre at the Shadbolt Centre for the Arts in Burnaby
March 28-31, 2012
-Vancouver’s Historic Cultch Theatre in Vancouver
June 10, 1940: Mussolini joins forces with Germany making Italy an enemy to Canada. In Vancouver 44 Italian Canadians are sent to internment camps without trial, and hundreds more are branded ‘Enemy Aliens.’
The creators of ‘Futuristi’, and ‘The Best Italian Variety Show – Ever!’ breathe life into this little known event that helped shape the Italian Canadian landscape in Western Canada.
FRESCO tells the story of the WWII Italian-Canadian Internment through the eyes of a present-day woman who finds herself looking into the keyhole of her past. Told through the voices of her ancestors, her family history is unfurled, painting a picture of Vancouver ‘s cultural landscape in the 1940’s.
Visit the BellaLuna website for more information.

Tuesday February 21, 2012 in Meta-Talon
Floating Up To Zero: Wheels Turning
Claudia Lapp gives a glowing review of Ken Norris’ Floating Up To Zero:
Inseparable from the writing life is the personal library: “These books that aren’t mine fill up the house…Sometimes I welcome them into the work itself. You must understand that I consider books as sacred. So much human life has gone into them.” (These Books). Diverse feminine portraits abound – a list of ex lovers and wives, their names “street signs of the road I had not taken”…
Tuesday February 14, 2012 in Meta-Talon
End of Days: A Local Glimpse of Götterdämmerung
A look at Robert Lepage’s Ex Machina production of Richard Wagner’s Götterdämmerung (Live HD broadcast from the Met):
Strangely, in this century of globalized sweatshops and rampant economic crises, the themes in this opera are even more timely, as the musical drama revolves around the renunciation of emotion in favour of mineral extraction, which is the inception of the curse that enslaves others. The luxurious wealth of the powers-that-be come at the price of many labourers, and this leads to a kind of Freudian psychosis among the gods. Even the security of their dream home Valhalla has been established upon the mythical equivalent of subprime lending.
Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.