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LES BELLES SOEURS offers a beautiful story http://t.co/pZTGzn3b @utahtheatreblog #utah #quebec Wednesday February 22, 2012
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Divisadero: a performance
Produced by Necessary Angel
Produced in association with The Film Farm
Text by Michael Ondaatje
Directed by Daniel Brooks
Songs written and performed by Justin Rutledge
Featuring performances by Liane Balaban, Maggie Huculak, Tom McCamus, Amy Rutherford & Justin Rutledge
February 8th – 26th, 2012
Theatre Passe Muraille
16 Ryerson Avenue
Toronto, Ontario
Click Here to Buy Tickets or call 416 504 7529
Michael Ondaatje collaborates with Daniel Brooks to adapt his Governor Generals Award-winning novel, Divisadero. Following a highly successful run last season, this is Ondaatjes first full-length work for the stage in over two decades. Divisadero: a performanceis a violent and passionate narrative about how a single event powerfully shapes the lives of two sisters. Examining themes of memory, identity, love and the grip of the past on the present, it is an exploration of the intimate relationship between the speaker and the listener and of language’s ability to weave a magical spell. The production features original music written for the piece and performed by Juno-nominated singer/songwriter Justin Rutledge who is part of the ensemble cast which features Liane Balaban, Maggie Huculak, Tom McCamus, and Amy Rutherford. Divisadero: a performance is designed by Andrea Lundy, Alexander MacSween, and John Thompson.

Tuesday February 21, 2012 in Meta-Talon
Floating Up To Zero: Wheels Turning
Claudia Lapp gives a glowing review of Ken Norris’ Floating Up To Zero:
Inseparable from the writing life is the personal library: “These books that aren’t mine fill up the house…Sometimes I welcome them into the work itself. You must understand that I consider books as sacred. So much human life has gone into them.” (These Books). Diverse feminine portraits abound – a list of ex lovers and wives, their names “street signs of the road I had not taken”…
Tuesday February 14, 2012 in Meta-Talon
End of Days: A Local Glimpse of Götterdämmerung
A look at Robert Lepage’s Ex Machina production of Richard Wagner’s Götterdämmerung (Live HD broadcast from the Met):
Strangely, in this century of globalized sweatshops and rampant economic crises, the themes in this opera are even more timely, as the musical drama revolves around the renunciation of emotion in favour of mineral extraction, which is the inception of the curse that enslaves others. The luxurious wealth of the powers-that-be come at the price of many labourers, and this leads to a kind of Freudian psychosis among the gods. Even the security of their dream home Valhalla has been established upon the mythical equivalent of subprime lending.
Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.