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LES BELLES SOEURS offers a beautiful story http://t.co/pZTGzn3b @utahtheatreblog #utah #quebec Wednesday February 22, 2012
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Down Dangerous Passes Road
by Michel Marc Bouchard
Encore Theatre
Ernie Checkeris Theatre stage at Thorneloe University
2-42 Riverside Drive
Sudbury, ON
PERFORMANCE DATES
Opening POSTPONED until April 19, 2012
Three brothers drive out to a forgotten childhood memory: an old fishing spot on the river down Dangerous Passes Road.
Each sibling is facing a crucial rite of passage: Carl, the youngest, is to be married later in the day, and it is this occasion that has brought the three of them together. Ambrose is losing his lover to AIDS. Victor, the eldest, has just left his second failed marriage.
They have never really spoken with each other because they all have their own individual secrets to hide, and because they share an ambivalence about the death of their father. Are they ready, finally, to reveal themselves to each other and move on with their lives?
In voices that interweave, alternate and play off one another with the exquisite lyricism of chamber music, the brothers reveal themselves as trapped by their father’s inability to let his boys grow up, and their own inability to accept him as an adult.
Visit the Encore Theatre website for more information.

Tuesday February 21, 2012 in Meta-Talon
Floating Up To Zero: Wheels Turning
Claudia Lapp gives a glowing review of Ken Norris’ Floating Up To Zero:
Inseparable from the writing life is the personal library: “These books that aren’t mine fill up the house…Sometimes I welcome them into the work itself. You must understand that I consider books as sacred. So much human life has gone into them.” (These Books). Diverse feminine portraits abound – a list of ex lovers and wives, their names “street signs of the road I had not taken”…
Tuesday February 14, 2012 in Meta-Talon
End of Days: A Local Glimpse of Götterdämmerung
A look at Robert Lepage’s Ex Machina production of Richard Wagner’s Götterdämmerung (Live HD broadcast from the Met):
Strangely, in this century of globalized sweatshops and rampant economic crises, the themes in this opera are even more timely, as the musical drama revolves around the renunciation of emotion in favour of mineral extraction, which is the inception of the curse that enslaves others. The luxurious wealth of the powers-that-be come at the price of many labourers, and this leads to a kind of Freudian psychosis among the gods. Even the security of their dream home Valhalla has been established upon the mythical equivalent of subprime lending.
Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.