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LES BELLES SOEURS offers a beautiful story http://t.co/pZTGzn3b @utahtheatreblog #utah #quebec Wednesday February 22, 2012
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HOUSE
Written by Daniel MacIvor
Performed by Justin Quesnelle
Directed by Eva Blahut
Stage Managed by Damon Muma
February 17-18; 22-25 at 8pm and 18 & 25 at 2pm
PWYC Preview on February 16 at 8pm
Launching their 5th season of award winning theatre in London, the Passionfool Theatre, resident company of The ARTS Project, is proud to present Daniel MacIvor’s one man masterpiece – House.
Following their recent success with MacIvor’s work, Never Swim Alone (Best Production Brickenden Award, Best Show of the Fringe 2009) and Monster (Best Solo Production Brickenden Award, Best Solo Show of the Fringe 2010), Passionfool presents one of the playwrights’ most fascinating and critically acclaimed works.
Billed as a stand-up-sit-down-one-man-comedy-nightmare, House is the twisted story of Victor. His mother is possessed by the devil, his sister loves a dog, he’s married to his cousin who doesn’t love him, and his father is the saddest man in the world. But instead of accepting his seemingly obvious role as the world’s biggest loser, Victor bursts through theatrical conventions in search of acceptance from his audiences.
The ARTS Project Theatre
203 Dundas St
London, Ontario
Tickets: $20
Available through The ARTS Project – 519.642.2767
Visit the Passionfool website for more information.

Tuesday February 21, 2012 in Meta-Talon
Floating Up To Zero: Wheels Turning
Claudia Lapp gives a glowing review of Ken Norris’ Floating Up To Zero:
Inseparable from the writing life is the personal library: “These books that aren’t mine fill up the house…Sometimes I welcome them into the work itself. You must understand that I consider books as sacred. So much human life has gone into them.” (These Books). Diverse feminine portraits abound – a list of ex lovers and wives, their names “street signs of the road I had not taken”…
Tuesday February 14, 2012 in Meta-Talon
End of Days: A Local Glimpse of Götterdämmerung
A look at Robert Lepage’s Ex Machina production of Richard Wagner’s Götterdämmerung (Live HD broadcast from the Met):
Strangely, in this century of globalized sweatshops and rampant economic crises, the themes in this opera are even more timely, as the musical drama revolves around the renunciation of emotion in favour of mineral extraction, which is the inception of the curse that enslaves others. The luxurious wealth of the powers-that-be come at the price of many labourers, and this leads to a kind of Freudian psychosis among the gods. Even the security of their dream home Valhalla has been established upon the mythical equivalent of subprime lending.
Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.