Follow us: Facebook | Twitter | Latest News | YouTube
Our Latest Tweet:
LES BELLES SOEURS offers a beautiful story http://t.co/pZTGzn3b @utahtheatreblog #utah #quebec Wednesday February 22, 2012
Email: info@talonbooks.com
Telephone: 604 444-4889
Outside Vancouver: 1 888 445-4176
Fax: 604 444-4119
The Real World?
by Michel Tremblay
translated by John Van Burek and Bill Glassco
directed by Richard Rose
April 24-June 3, 2012
Tarragon Theatre
30 Bridgman Avenue
Toronto, Ontario
Revival
Should or can playwrights truly “write what they know”? If they use their family members as characters in a play, whose play is it? Whose truth is it? And what happens when those family members stand up to their artist son and object to their theatrical selves? The Real World? remains a groundbreaking play about art, autobiography and authority.
Michel Tremblay has been a dominant figure in Québec theatre since the late 1960s; his plays have been performed around the world. Tarragon was the home for many of his English-language premieres, including Hosanna, Les Belles-Soeurs and Albertine in Five Times, and has produced 13 of his plays. Tarragon is reviving this Canadian classic nearly 25 years after it premiered in English on our stage.
For more information, visit the Tarragon Theatre website.

Tuesday February 21, 2012 in Meta-Talon
Floating Up To Zero: Wheels Turning
Claudia Lapp gives a glowing review of Ken Norris’ Floating Up To Zero:
Inseparable from the writing life is the personal library: “These books that aren’t mine fill up the house…Sometimes I welcome them into the work itself. You must understand that I consider books as sacred. So much human life has gone into them.” (These Books). Diverse feminine portraits abound – a list of ex lovers and wives, their names “street signs of the road I had not taken”…
Tuesday February 14, 2012 in Meta-Talon
End of Days: A Local Glimpse of Götterdämmerung
A look at Robert Lepage’s Ex Machina production of Richard Wagner’s Götterdämmerung (Live HD broadcast from the Met):
Strangely, in this century of globalized sweatshops and rampant economic crises, the themes in this opera are even more timely, as the musical drama revolves around the renunciation of emotion in favour of mineral extraction, which is the inception of the curse that enslaves others. The luxurious wealth of the powers-that-be come at the price of many labourers, and this leads to a kind of Freudian psychosis among the gods. Even the security of their dream home Valhalla has been established upon the mythical equivalent of subprime lending.
Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.