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February 2012

Thursday February 9, 2012
The Long Poem Workshop - Jay MillAr

Thursday February 9, 2012
Problem Child & The End of Civilization - George F. Walker - Telus Studio Theatre

Thursday February 9, 2012
Moving Along - Chris Craddock - Roxy Theatre

Thursday February 9, 2012
The Fighting Days - Wendy Lill - Royal Manitoba Theatre Centre

Wednesday February 15, 2012
Write Here Readers Series - North Island College

Thursday February 16, 2012
2012 Gabriola Poetry Festival

Friday February 17, 2012
House - Daniel MacIvor - The ARTS Project Theatre

Saturday February 18, 2012
HOME FRONT, a reading series - Sharon Thesen

Thursday February 23, 2012
Talking Stick Festival presents In a World Created by a Drunken God

Friday February 24, 2012
Galiano Literary Festival - 2012

Saturday February 25, 2012
red diva projects - Marie Clements, Michelle St. John, Women from DTES Centre

Tuesday February 28, 2012
The Leisure Society - Trafalgar Studios - UK

March 2012

Thursday March 1, 2012
Fred Wah - Versefest in Ottawa

Thursday March 1, 2012
The Kranky Reading Series - Raoul Fernandez, Jordan Abel, and Gurjinder Basran

Thursday March 1, 2012
Gordon - Morris Panych - Revue Stage

Thursday March 1, 2012
Where the Blood Mixes - Kevin Loring - Remai Arts Centre

Friday March 9, 2012
Ms Thing - Vancouver Women in Film Festival - Embracing the Darkness

Saturday March 10, 2012
How To Write A Poem For The Queen: a workshop with the Parliamentary Poet Laureate

Wednesday March 21, 2012
BellaLuna's Fresco - Lucia Frangione - Shadbolt Centre and Cultch

Friday March 23, 2012
Words on the Water - Campbell River Writer's Festival 2012

Saturday March 31, 2012
Visual Poetry Presentation with derek beaulieu - A B Series

April 2012

Friday April 13, 2012
Bordertown Cafe - Kelly Rebar - Toledo Repertoire Theatre

Thursday April 19, 2012
Down Dangerous Passes Road - Michel Marc Bouchard - Encore Theatre

Tuesday April 24, 2012
The Real World? - Michel Tremblay -Tarragon Theatre

Monday April 30, 2012
M.A.C. Farrant at Banff Centre in 2012
Posted: Friday May 14, 2010
Imperial Canada: Talon statement on "libel chill"
Imperial Canada Inc.

At the start of this year, Talon Books Ltd. announced and scheduled Imperial Canada Inc.: Legal Haven of Choice for the World’s Mining Industries for publication in May 2010, both in our seasonal catalogue and on our website. On February 12, 2010, Talon received a fax marked “WITH PREJUDICE” from Davies Ward Phillips & Vineberg LLP, the law firm representing the Barrick Gold Corporation, on the subject of the alleged “Involvement of Talon Books in writing, translating, publishing, disseminating or promoting Imperial Canada Inc.” That fax stated, in part, under threat of legal action, that: “In the circumstances, we are therefore instructed to demand that you provide the undersigned with a copy of any portion of the manuscript or text of Imperial Canada Inc. that makes direct or indirect reference to Barrick, Sutton Resources Ltd., or to any of their past or present subsidiaries, affiliates, directors or officers no later than by 5:00 p.m. on February 19, 2010.”

While Talon did not reply to the February 12 fax from Barrick’s lawyers, much less accede to its extra-judicial demand to interfere with our publication process and invade our authors’ and translators’ privacy by 5:00 p.m. on February 19, we did mark our announcement of the May publication of Imperial Canada Inc. as “cancelled” on our website. What have become known as SLAPP suits work especially well in Canada, and we, of course, like most Canadians, can’t afford one.

Every spring we mail scholars, writers and readers around the world our catalogue, as well as a letter to its recipients in which our publisher Karl Siegler offers some of his topical thoughts on the current intellectual climate of the world, which he then uses as a meta-narrative in which to embed Talon’s recent and forthcoming publications. This year, Karl’s Leitmotif (which it used to be called before the invention of the hyphenated word “meta-narrative”) was the appropriation of language for commercial gain and the implications of this trend for freedom of speech, a thematic that seemed to demand special comment on Barrick’s pre-publication threats regarding Imperial Canada Inc. His letter said in part:


What kind of culture, what kind of socio-economic reality, what kind of community have we come to live in, where a corporation is allowed to appropriate the full weight of our country’s legal apparatus to threaten the authors, translators and prospective publisher of a book (Imperial Canada Inc.), with “proceedings against Talon Books, as well as against anyone else that plays a role in the publication, dissemination or promotion of this book” for “substantial damages as well as injunctive and other relief,” unless the authors, translators and prospective publisher accede to the corporation’s lawyers’ demand to have delivered to them the manuscript-in-progress of that book, by a deadline they have set three months before that book has been scheduled for public release?

Think about this for a minute—imagine yourself receiving a legal letter [last February], marked “WITH PREJUDICE” from a corporation, that demands you deliver to it a copy of the paper you are preparing for public presentation at the annual Congress of the Learned Societies this coming May, by 5:00 p.m. within one week of your receipt of that letter, because the corporation has seen your paper announced in the Congress program and suspects it may possibly contain (though no court in the land has yet proven it to contain) statements that said corporation might consider defamatory or libelous.


It didn’t take too long for one of the recipients of the letter, Phillip Resnick, to decide the story was worthy of wider circulation, so he wrote an article about it in the Tyee on April 21, 2010. This began to attract national attention from organizations like the Canadian Civil Liberties Association, and most recently from Jian Ghomeshi who ran an interview with Karl Siegler and John Dixon of the BC Civil Liberties Association on his program “Q” on May 12, 2010, broadcast nationally on the CBC. You can find it here.

That interview continues to draw a broad and vociferous response from a variety of people who feel that Barrick’s actions with respect to Imperial Canada Inc., have the potential to seriously undermine the principle of free speech in Canada—a democratic right that cannot be dealt with in a cavalier fashion in any society that wishes to continue to think of itself as “free.”


As for Imperial Canada Inc., we have put it back on our list for fall 2010 publication.

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Recent news Articles
Thursday February 9, 2012 in Meta-Talon

Suffragette City: The Fighting Days

(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)

In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.

Thursday February 2, 2012 in Meta-Talon

How to Bank Your Life on Speculative "Futures"

Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:

In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!

Thursday January 26, 2012 in Meta-Talon

For the Pleasure of Seeing Her Again Comes to Kamloops

Michel Tremblay’s For the Pleasure of Seeing Her Again comes to Kamloops:

They may seem like everyday moments — and in many ways they are — but, with Lorne Cardinal and Margo Kane playing the only two characters, the play becomes “an homage to his mother,” Leyshon said.

Specks cover Monday January 23, 2012 in Meta-Talon

Anis Shivani Interviews Michael McClure

Anis Shivani interviewed Beat Poet Michael McClure On Jim Morrison, The Doors, Allen Ginsberg, and Jack Kerouac for The Huffington Post on March 03, 2011:

Shivani: Is Olson the major figure in American poetry after Pound?

McClure: I do not like seeing poetry as literature rather than art and I’m not happy with the separation of Poetry and the sister arts, I prefer to see Art as Art. I perceive that a major figure after Pound would be Jackson Pollock, and instead of looking at “American” Poetry as William Carlos Williams exhorted all to do, I would look worldwide at the poetry of D.H. Lawrence, Federico Garcia Lorca, Vladimir Mayakovsky, and of course Charles Olson, and all.

Spring 2012 Catalogue

CURRENT FRONT LIST


 
All Is Flesh cover
All Is Flesh

Yannick Renaud
Translated by Hugh Hazelton
Poetry

Bolsheviki cover
Bolsheviki

David Fennario
Drama

Chinese Blue cover
Chinese Blue

Weyman Chan
Poetry

Crossing the Continent cover
Crossing the Continent

Michel Tremblay
Translated by Sheila Fischman
Fiction

Davie Street Translations cover
Davie Street Translations

Daniel Zomparelli
Poetry

Imperial Canada Inc.
Imperial Canada Inc.

Alain Deneault
Translated by Fred A. Reed & Robin Philpot
Non-Fiction

Maleficium cover
Maleficium

Martine Desjardins
Translated by Fred A. Reed & David Homel
Fiction

Modern Canadian Plays, Volume I, Fifth Edition cover
Modern Canadian Plays, Vol. I - 5th Edition


Edited by Jerry Wasserman
Drama

Specks cover
Specks

Michael McClure
Poetry

Taking My Life cover
Taking My Life

Jane Rule
Non-Fiction

textual vishyuns
textual vishyuns

Carl Peters
Non-Fiction

The Book of Esther cover
The Book of Esther

Leanna Brodie
Drama

Tombs of the Vanishing Indian cover
Tombs of the Vanishing Indian

Marie Clements
Drama

Turkana Boy cover
Turkana Boy

Jean-François Beauchemin
Translated by Jessica Moore
Fiction

Vigil, Second Edition cover
Vigil - 2nd Edition

Morris Panych
Drama


Copyright Talonbooks 1963-2010

 

 

We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.


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