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bill bissett: problematics at UFV http://t.co/6Q7LpscD #books #poetry #art Saturday February 4, 2012
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On Canada Day, many faces painted with maple leaves jouncing atop bodies wearing red and white can be seen strolling through Cates Park for a picnic, perhaps without happening upon the stone in memory of Malcolm Lowry. They walk along, unaware that across the water, the ‘S’ was once burnt out and that the sign ‘HELL OIL’ would blaze out of the verdant darkness.
Malcolm Lowry was a remittance man who turned up living in the Dollarton Flats on Vancouver’s North Shore. His existence was nomadic to the point that a number of countries have claimed him as their own, including Canada. It was in a squatter’s shack in the Dollarton Flats during the 40s and 50s where he completed his masterpiece Under the Volcano, apparently while limiting his drinking and standing upright. He was vocal about Vancouver, and his observations from the book are often quoted:
“it has a sort of Pango Pango quality mingled with sausage and mash and generally a rather Puritan atmosphere. Everyone fast asleep and when you prick them a Union Jack flows out of the hole. But no one in a certain sense lives there. They merely as it were pass through. Mine the country and quit. Blast the land to pieces, knock down the trees and send them rolling down Burrard Inlet…”
His former haunt, the pub in the Dominion Hotel, is now lined wall to wall with blaring television screens. Go a couple of blocks towards the former Woodward’s building, now a cozy sconce for Nester’s, and you will find a more or less accurate variation upon Lowry’s poem:
Beneath the Malebolge lies Hastings street
The province of the pimp upon his beat
Where each in his little world of drugs or crime
Drifts hopelessly, or hopeful, begs a dime
Wherewith to purchase half-a-pint of piss
Although he will be cheated, even in this.
Just when it seems that the ghost of Lowry has been completely exorcised from Vancouver streets, outside of the new Living Shangri-La development on Georgia and Thurlow, there has arisen a sculptural installation by Ken Lum (until September 6th), which includes a reduced replica of Lowry’s shack. The exhibit is an ironic reminder that an edict by the City of Vancouver led to the destruction of these makeshift homes. It is not so much of a stretch to remind ourselves of the Downtown Eastside in the form of tent cities outside of high-end mod-connish properties intended for purchase by absentee owners.
One poignant memory is from the National Film Board’s eerily brilliant Volcano: An Inquiry into the Life and Death of Malcolm Lowry, in which a past letter to his publisher is read aloud, a request for enough money to mend his radio so Lowry and his wife can listen to a Canadian broadcast about his own genius as a novelist.
Strange Comfort is a collection of essays by Sherrill Grace about Malcolm Lowry that addresses these and other key issues of the 21st century in his writing.

Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
Thursday January 26, 2012 in Meta-Talon
For the Pleasure of Seeing Her Again Comes to Kamloops
Michel Tremblay’s For the Pleasure of Seeing Her Again comes to Kamloops:
They may seem like everyday moments — and in many ways they are — but, with Lorne Cardinal and Margo Kane playing the only two characters, the play becomes “an homage to his mother,” Leyshon said.
Monday January 23, 2012 in Meta-Talon
Anis Shivani Interviews Michael McClure
Anis Shivani interviewed Beat Poet Michael McClure On Jim Morrison, The Doors, Allen Ginsberg, and Jack Kerouac for The Huffington Post on March 03, 2011:
Shivani: Is Olson the major figure in American poetry after Pound?
McClure: I do not like seeing poetry as literature rather than art and I’m not happy with the separation of Poetry and the sister arts, I prefer to see Art as Art. I perceive that a major figure after Pound would be Jackson Pollock, and instead of looking at “American” Poetry as William Carlos Williams exhorted all to do, I would look worldwide at the poetry of D.H. Lawrence, Federico Garcia Lorca, Vladimir Mayakovsky, and of course Charles Olson, and all.
Thursday January 12, 2012 in Meta-Talon
Direct Harkening: A Review of On the Material
Andrew Vaisius reviews 2011 BC Book Prize Winner On the Material:
This poetry burns straight into your thoughts with a third degree of truth. Words matter. They aren’t frilly or sentimental, hoity-toity or academic. Collis writes in a language unencumbered by tired cliché or overwrought descriptions. His is a direct harkening, devoid of affectation, expressing the gut endurance of each sparking woman/man capable of the “natural brilliance of the human spirit.”
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.