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Suffragette City: Wendy Lill's The Fighting Days http://t.co/CERvxhab @MTCWinnipeg #theatre #winnipeg Thursday February 9, 2012
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The Book of Esther by Leanna Brodie is currently running at the Blyth Festival. This epic story tackles issues of faith, farming and sexuality with a refreshingly frank approach.
Set in the early 1980s, stoic Seth Dalzell is struggling to hold onto his Century Farm in the rural community of Baker’s Creek. His devoutly evangelical wife, Anthea, is struggling to keep her family intact. Todd is a middle-aged pillar of the gay community, living in Parkdale and providing shelter for homeless youth. And A.D. is a teenage hustler, happiest when he’s raising Cain. What do they all have in common? Esther Dalzell. She is fifteen years old and she has just run away from home.
“This is a play about running away and the overwhelming urge to escape our problems, instead of dealing with them head on,” says Artistic Director Eric Coates. “It tackles some big issues, but it does so in a very balanced way.”
The Book of Esther is Brodie’s second premiere at the Blyth Festival. Her critically acclaimed Schoolhouse premiered as a sold-out hit in 2006.
The Book of Esther plays at the Blyth Festival in repertory until September 4.

Thursday February 9, 2012 in Meta-Talon
Suffragette City: The Fighting Days
(Marina Stephenson Kerr plays Nellie McClung, on one side of an ethical split within the suffrage movement in Wendy Lill’s The Fighting Days)
In the play, Francis Beynon, who is passionately antiwar, clashes with Nellie McClung over military conscription, and over McClung’s position that the vote should be withheld from “non-Empire” immigrant women during the war.
Thursday February 2, 2012 in Meta-Talon
How to Bank Your Life on Speculative "Futures"
Jonathan Ball interviews Garry Thomas Morse about various speculative “futures”:
In two volumes of The Chaos! Quincunx, I use what William S. Burroughs called the “fold-in” method, which feels rather like battering some batter in a bowl. This process is exciting, because of its sense of immediacy. I’m never quite sure what the characters are going to do next!
Thursday January 26, 2012 in Meta-Talon
For the Pleasure of Seeing Her Again Comes to Kamloops
Michel Tremblay’s For the Pleasure of Seeing Her Again comes to Kamloops:
They may seem like everyday moments — and in many ways they are — but, with Lorne Cardinal and Margo Kane playing the only two characters, the play becomes “an homage to his mother,” Leyshon said.
Monday January 23, 2012 in Meta-Talon
Anis Shivani Interviews Michael McClure
Anis Shivani interviewed Beat Poet Michael McClure On Jim Morrison, The Doors, Allen Ginsberg, and Jack Kerouac for The Huffington Post on March 03, 2011:
Shivani: Is Olson the major figure in American poetry after Pound?
McClure: I do not like seeing poetry as literature rather than art and I’m not happy with the separation of Poetry and the sister arts, I prefer to see Art as Art. I perceive that a major figure after Pound would be Jackson Pollock, and instead of looking at “American” Poetry as William Carlos Williams exhorted all to do, I would look worldwide at the poetry of D.H. Lawrence, Federico Garcia Lorca, Vladimir Mayakovsky, and of course Charles Olson, and all.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.