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Jónína Kirton is a prairie-born Métis/Icelandic poet, author, and facilitator. She currently lives in Vancouver, on the unceded territory of the Salish people. Kirton graduated from Simon Fraser University’s Writer’s Studio in 2007 and is a member of its Advisory Board as well as the liaison for its Indigenous Advisory Board. Kirton is also a member of the Room Magazine Editorial board.
In 2016, Kirton received Vancouver’s Mayor’s Arts Award for an Emerging Artist in the Literary Arts category. Nominated by her mentor Betsy Warland, Kirton is excited to be Warland’s apprentice at the 2017 SFU Writer’s Studio. Kirton also won first prize and two honourable mentions in the Royal City Literary Arts Society’s Write-on Contest in 2013, and an honourable mention in 2014 in the Burnaby Writers contest.
Kirton’s work has been featured in a number of anthologies and literary journals, including the Humber Literary Review, Ricepaper magazine (Asian/Aboriginal Issue), V6A: Writing from Vancouver’s Downtown Eastside, Other Tongues: Mixed Race Women Speak Out, Pagan Edge, First Nations Drum, Toronto Quarterly and Quills Canadian Poetry Magazine. Her first collection of poetry, page as bone – ink as blood was released to wide acclaim by Talonbooks in 2015. Her second collection of poetry, An Honest Woman, is forthcoming in Spring 2017.
September 2016 : This Sunday: WORD Vancouver!
August 2015 : Tonight! Jónína Kirton at McNally Robinson in Winnipeg
Winner of the 2016 Emerging Artist Award, Mayor’s Arts Award for Literary Arts (Vancouver, BC)”
QUOTES OF NOTEAn Honest Woman
Praise for Kirton’s previous collection, page as bone – ink as blood:
“A Bildungsroman in verse … subtle, perceptive, and politically engaged.”
“Kirton avoids outright confessional by raising the question of what voice is and can be, and does this as a poet … introducing the awareness of human fallibility and how ‘story’ is fraught, gives the writing authenticity and the writer welcome authority. Moments like this in writing are hard won and as such are to be treasured and sustained.” —The Maynard”
QUOTES OF NOTEpage as bone – ink as blood
“a Bildungsroman in verse … subtle, perceptive and politically engaged.”
“These are poems out of a woman’s experience and the matriarchy. Some of the most moving and affecting poems within the collection are love letters to the writer’s/speaker’s mother, who has died from breast cancer. … Kirton avoids outright confessional by raising the question of what voice is and can be, and does this as a poet. … introducing the awareness of human fallibility and how “story” is fraught, gives the writing authenticity and the writer welcome authority. Moments like this in writing are hard won and as such are to be treasured and sustained.”
– The Maynard
“page as bone – ink as blood is restorative, intimate poetry, drawing down ancestral ideas into the current moment’s breath. Writing from a place of ‘curious contradiction,’ ‘of skin a little wild,’ Kirton begins by re-spinning the threads of indigenous immigrant, and poem by poem shoves the shuttle forward and back, remaking human integrity from ghosts and bloody matter. In these words, skin is not a barrier but a doorway through which the worlds stride. Kirton’s poems are peacemaking, both generous gesture and much-needed literary poultice.”
– Joanne Arnott
“Jónína Kirton’s memoir in verse could be an epic novel, a haunting ballad, a film noir. What it is: a visitation by ghosts and spirits, familial secrets, and retrieved historical mis-memories. As intermediaries between European and Indian cultures, she retraces her Métis inheritance and her own arduous journey to becoming a twenty-first-century guide we are much in need of.”
– Betsy Warland
“Jónína Kirton sifts through her life – our lives – picking up piercing images and sorting stories of the senses, exploring the push-pull of being human, the delight and ambivalence of being in our own skin. Slowly, by being faithful to the moments, her poems find fragments of freedom by telling the truth.”
– Oriah Mountain Dreamer
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund (CBF); and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.