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Over thirty years in the making, Frank Davey’s careful archaeology of the catalogue of innocence his youthful imagination assembled growing up in and immediately after the Second World War is a work of astonishment.
This is no lyrical work of sentimental nostalgia, no attempt to return to a romanticized “simpler past,” no rediscovery of “the child within,” but rather a careful reconstruction of “the child without.” The reader moves through these poems, neither sanitized nor updated by their passage through experience, as one would through a gallery installation of intensely personal epiphanies, both frightening and ecstatic, lucid and obscure. They are stripped of any cultural preconception, a Blakean vision of the good and evil men and women do as they engage the other in a world at war—a world where the war is always somewhere else, but where the enemy, unseen, is everywhere present in the invented surrogates of combat.

ISBN 13: 9780889225145 | ISBN 10: 889225141
6 W x 9 H inches | 128 pages
$16.95 CAN / $12.95 US
Rights: World
Backlist | Poetry
| Bisac: POE011000

About the Contributors
Frank DaveyBorn in Vancouver, Frank Davey attended the University of British Columbia where he was a co-founder of the avant-garde poetry magazine TISH. Since 1963, he has been the editor-publisher of the poetics journal Open Letter. In addition, he co-founded the world’s first on-line literary magazine, SwiftCurrent in 1984. Davey writes with a unique panache as he examines with humour and irony the ambiguous play of signs in contemporary culture, the popular stories that lie behind it, and the struggles between different identity-based groups in our globalizing society—racial, regional, gender-based, ethnic, economic—that drive this play.
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Book Publishing Industry Development Program; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.